Founder · Builder · Director
April 2026 — El Segundo, CA
The work
Grand opening May 2 in Torrance, CA. My father Paul Lasman’s blown glass — molten material shaped into something you can’t look away from — in its first real context. Not a souvenir shop. A gallery. The shop is curated to a tight opening set of hero pieces. The work is ready. The room is ready. Visit →
Currently open by appointment — Torrance, CA.
Raising a $4M seed round to build a rack-mountable 10-Qubit Deterministic Unit — deterministic optical quantum hardware that closes the gap between what’s locked in labs and what enterprises can actually deploy. Cloud-scale simulation and enterprise AI already in production. Visit →
Conscious Engineering and Imagination Technology as a practical framework for people who can feel the gap between where they are and what’s actually possible. Visit →
The highest-stakes version of the work. One day. One person. Your location. Scoped to what you’re already inside — working 1:1 with individuals around what they’re building and what’s actually in the way. Learn more →
Sitting with
The body is the last mile. Every vision, every insight, every download — if the instrument is untuned, the signal arrives distorted or not at all. The people who burn out aren’t short on ideas. They’re short on body.
The pull toward the source and the pull toward the craft are the same pull. Get better at the instrument and more of the field gets through. More of the field gets through and you feel the pull to get better at the instrument. That’s the loop.
Science and art aren’t a metaphor for each other. They’re the same practice. One uses frequency to understand matter. The other uses matter to conduct frequency. Both are trying to make the invisible visible.
The operating system powering the people matters more than the technology powering the system. What seven years inside SpaceX taught me is still the most relevant thing I know.
The body
Barbell work. Structured push / pull splits. Time under tension as a practice in presence — the honest report of a set that should have ended two reps ago.
Jerry Lewis. Vaudeville. The history of physical comedy. Potential as presence — how the body becomes the material before a word is spoken.
Chronological rhythm and calendar systems. The architecture of time as a design problem.
This page is a snapshot, not a scoreboard. If something here resonates, reach out.